Protected: Cinematic research – Metropolis (1927)
22 November 2010 Enter your password to view comments.
Tagged: 1927, antichrist, Argentina, ARTE, audience, Babel, Blu-ray, Bonnie Tyler, capitalism, cinema, communism, conspiracy, context, crowds, decimal clock, dystopia, editing, expressionism, fascism, film history, films, footage, Frankenstein, Freddie Mercury, Fritz Lang, Furioso, futurism, George Lucas, German, hands, head, heart, IMDb, Interlude, Intermezzo, JOn Anderson, Kraftwerk, Lady GaGa, mad scientist, Madonna, Marxism, mediator, Metropolis, mind control, modernism, music, mythology, Netflix, opera, Paramaunt, plans, plot, Prelude, press, Queen, Radio Ga Ga, reconstructed, research, restored, Ridley Scott, robot, Schüfftan process, sci-fi, score, seven deadly sins, silent films, social, social structure, soundtrack, symbolism, talking pictures, thinkers, upper class, urban, vision, visual effects, Weimar, workers, working class
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